Monday, June 24, 2013

The DNA of Design

Using the Laws of Nature for Kitchen Cabinet Configuration


[caption id="attachment_2850" align="aligncenter" width="600"]photo courtesty of Mark Rosenhaus photo courtesty of Mark Rosenhaus[/caption]

We all know that beauty is in the eye of the beholder but there is at least one universal truth that most people find appealing. Geometry, as found throughout nature and enlightened by a basic math equation draws the eye—provoking admiration, envy, and awe.

[caption id="attachment_2849" align="aligncenter" width="600"]The Golden Rectangle applied to the design of this kitchen. In this photo, three glass squares and a glass Golden Rectangle surround horizontal lift-up doors. (photo courtesy of Mark Rosenhaus, CKD) The Golden Rectangle applied to the design of this kitchen. In this photo, three glass squares and a glass Golden Rectangle surround horizontal lift-up doors. (photo courtesy of Mark Rosenhaus, CKD)[/caption]

Certified Kitchen Designer,  Mark Rosenhaus, coined the concept the DNA of Design—the perception of beauty based on proportion—and uses it as a guiding principle in kitchen and bath design. Rosenhaus is an expert on the subject, presenting his insights at designer workshops and events including the Kitchen and Bath Show. This idea of applying Mother Nature's engineering techniques to modern-day design intrigues me. I wanted to learn more about how we can all use the DNA of Design as a filter to view our own design projects. Here is my exclusive interview with Mark Rosenhaus as he deconstructs the DNA of Design. 

 

 

You say that the DNA of Design manifests itself throughout history in some of the greatest works of art and architecture. Please give us some examples.

“Look at the symmetry of Leonardo Da Vinci’s Vitruvian Man, follow a seashell's spiral, count the seeds clockwise and counter clockwise on a sunflower and a pineapple, marvel how proportion and placement highlight details of Notre Dame Cathedral. When you look closely at our fingers, face and a beautiful body, you will find similar geometry as well as in so many other objects throughout the universe from the microscopic to the telescopic," says Rosenhaus.

 

You refer to this geometric configuration as the Golden Rectangle. Please explain.

"The Golden Rectangle is where the width is 62% of an object’s height.  The arithmetic is derived from what is known as the Fibonacci Sequence: 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89… whereby adding two consecutive numbers equals the third; and dividing any number by the following number produces 62%. With practice, the trained eye will discern and enjoy the 62% proportion compared to almost any other dimension. DNA is the building block that determines preferences for all nature’s living organisms.  Interestingly, the DNA helix module has the same proportions as the Golden Rectangle, therefore if it’s in our DNA it stands to reason we have a predilection towards Golden Ratio relationships."

[caption id="attachment_2851" align="aligncenter" width="600"]2013-10-07_0043 photo courtesy of Mark Rosenhaus, CKD[/caption]

 

"We all know that a skinny cabinet is neither the best shape for function nor looks good. Using the Golden Ratio takes the guess-work out of sizing cabinets and answers the question of why one design is more appealing than another," says Rosenhaus.

 

How does one find the Golden Rectangle in icons of world design?

"Without even knowing the proportions of a Golden Rectangle, we are aware of it.  A Golden Rectangle is comprised of a square and a smaller Golden Rectangle. A face with proper proportions will just naturally be more attractive, as will art, architecture and music. Additionally, animals and plants are also created with Golden Rectangle proportions.  But, and it’s a big but… perfection in anything, including proportions are rare— in nature and man-made. The benefit of recognizing this proportion will enable you to augment a subjective reaction with an objective eye to determine why you like or don’t like what you’re looking at."

[caption id="attachment_2854" align="aligncenter" width="600"]2013-10-07_0046 photo courtesy of Mark Rosenhaus, CKD[/caption]

In the photo above, each upper cabinet is a Golden Rectangle of varying sizes yet the same proportion. The diagonal lines cross in the center of the middle of the cabinet, right where the eye wants to go.

 

Why do we do this?

"Our subconscious, natural instinct is to look for objects having Golden Proportions.  Honed over the millennia, we have learned how to accentuate appealing features.  Our face is a prime example: as in repainting the eyebrows higher on the forehead to delineate a more visually pleasing Golden Rectangle encompassing the width of the mouth. In art, as in life, we want people to feel comfortable being with us.  Beauty and familiarity create the first and lasting impression."

Rosenhaus cites the works of Piet Mondrian as an example:

[caption id="attachment_1784" align="aligncenter" width="400"]Mondrian cropped photo courtesy of Mark Rosenhaus, CKD[/caption]

"To understand how Mondrian applied the concept of the Golden Rectangle in his art, start with the red square, which is 62% of the width and height of the main portion of the painting; then follow the curving movement of the blue areas leading to the yellow and beyond."

 

Two designs Rosenhaus calls 3 dimensional Mondrian

[caption id="attachment_2840" align="aligncenter" width="600"]IslBG photo courtesy of Mark Rosenhaus, CKD[/caption]

Notice the geometric proportions of this kitchen cabinet configuration: Golden Rectangle, squares and double squares—our most pleasing shapes—in a spiral arrangement.

[caption id="attachment_2861" align="aligncenter" width="600"]photo courtesy of Mark Rosenhaus photo courtesy of Mark Rosenhaus[/caption]

"The spiral movement of the composition begins at the focal area recessed cabinet with three frosted glass panes that are the same proportion as the door itself. They lead to the increased depth double square horizontal lift-up doors; across to the Golden Rectangle; down to the horizontal cabinet and wind around to the final square and knob as the period."

 

Why and how is the Golden Rectangle proportion an aid in kitchen design?

"Proportion and placement are at the forefront of better compositions.  The Fibonacci Sequence is a great tool in figuring cabinet sizes which create vitality and movement to avoid monotony and predictability. Adjacent cabinets must be as rhythmic as notes in a musical score.  The number of doors or cabinet sizes in the arrangement of 1-2-3; 3-2-1 or 1-2-3-2-1 create familiar progressions that are livelier than having all the doors the same size."

[caption id="attachment_2853" align="aligncenter" width="600"]2013-10-07_0045 photo courtesy of Mark Rosenhaus, CKD[/caption]

In kitchen design, proportions create a natural balance. The dimensions need not be perfect as our eyes make adjustments to feel most comfortable. The 27" wide cabinets are approximately 62% of the 42" square center cabinet. Using stock size cabinets, the impression of a Golden Rectangle is delineated by the square 27" x 27" pair of doors topped with a 27" x 15" flip-up door. Bearing the same proportions as the Taj Mahal highlights their importance in kitchen design.

[caption id="attachment_2842" align="aligncenter" width="600"]2013-10-07_0034 "The 62% Golden Rectangle applied in the design of this kitchen: the glass is proportional to the width and height of the door. The upper square glass and door fit into the lower Golden Rectangles," says Rosenhaus. (photo courtesy of Mark Rosenhaus, CKD)[/caption]

 

You don't have to wrap your mind around the mathematics of  Mother Nature's geometric ratio to get it right with your kitchen cabinet configuration. Just remember this basic idea of the Golden Rectangle: width is 62% of an object’s height and you'll create a composition that commands attention and leads to the focal point. To learn more about Rosenhaus' DNA of Design, click here to view his online slideshow.

 

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